Il est considéré comme un des initiateurs de l'art optique, ou Op art, et son Interaction des couleurs, comme un classique de l'enseignement des arts visuels. JOSEF ALBERS (1888-1976) Homage to the Square incised with the artist's initials and dated 'A57' (lower right) oil on masonite 20 x 20in. The series, titled Homage to the Square is based on a compositional scheme of squares in different colors and arrangements. Private Collection, Paris (acquired from the above in 2004). “Abstraction is real, probably more real than nature,” he once said. “Abstraction is real, probably more real than nature,” he once said. Tapis Homage to the Square Christopher Farr Josef Albers, peintre, enseignant et théoricien d'art était une figure majeure du Bauhaus où il avait le statut de Maître. Josef Albers, Homage to the Square--Insert, 1959, oil on masonite, Smithsonian American Art Museum, Gift of S.C. Johnson & Son, Inc., 1969.47.51 . Albers painted his Homages to the Square works daily as a kind of meditative exercise, continuously pursuing his investigations into color theory and perception with subtly different means until the end of his life. Painted in 1961. These strictly ordered compositions were merely means to an end. Albers began making his Homage to the Square painting series around 1951. The works here mark one of the first occasions he explored this imagery in print. Oct 24, 2013 - Homage to the Square, Josef Albers (Germany, active Munich, and United States, 1933-1976, 1888-1976), United States, 1951-1955, Paintings, Oil on masonite. « Homage to the square » constitue le troisième volet de cette série consacrée au Pompidou mobile. Executed in 1957. The Josef and Anni Albers Foundation. Josef Albers, Homage to the Square: “Ascending,” 1953, oil on composition board, 110.5 × 110.5 cm (Whitney Museum of American Art) Though Albers began work on the Homage paintings in 1950, he was introduced to color theory very early in his career, when he enrolled as a student at the Bauhaus in 1920. Each work in the series is designed to demonstrate the complex perceptual effects produced by the interaction of different colors. (20.1 x 20.1 in.) Homage to the Square: Silent Gray. In his series titled, Homage to the Square, he produced an extensive body of variations on a highly focused theme. Josef Albers Homage to the Square: Embedded, 1963 oil on masonite 48 × 48 in. See more ideas about josef albers, joseph albers, homage. Study for Homage to the Square: Beaming was made while Albers was living in New Haven, Connecticut, his home from 1950 until his death. I liked the colors and the motto. A la fermeture du Bauhaus en 1933, il s'installe avec son épouse, l'artiste Anni Albers, aux Etats-Unis où il poursuivra sa carrière d'enseignant, à Yale notamment, tout en menant un travail artistique personnel. A partir de 1950 et jusqu’à sa mort en 1976, Josef Albers entreprend un édifiant travail Find more prominent pieces of abstract at Wikiart.org – best visual art database. ISBN-10: 8492480386. ‘Homage to the Square: Broad Call’ was created in 1967 by Josef Albers in Abstract Art style. His series Homage to the Square is comprised of hundreds of paintings and prints. L’ouvrage met également en lumière les expériences de Josef avec la couleur et ses effets optiques préfigurant le courant du Op Art et notamment sa fascinante série Homages to the Square, ainsi que d’autres travaux moins connus tels que ses vitraux, ses collages, ses meubles et ses œuvres graphiques pour des couvertures d’albums. See more ideas about josef albers, joseph albers, color theory. 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albers homage to the square

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